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In the media

 
GILES ALEXANDER | THE PRIVILEGE OF PRACTICE | WORLD PREMIERE EPISODE This week on American Real we welcome to the set, world renowned artist, Giles Alexander. I continue to be amazed by the context of conversation that takes place when sitting across from a fellow human being.

Giles Alexander | The Privilege of Practicing

September 28, 2019

By Roger Brooks

This week American Real welcomed to the set, world renowned artist, Giles Alexander. I continue to be amazed by the context of conversation that takes place when sitting across from a fellow human being. Giles provides a rare view into the depth of his work, which includes his fascination and understanding of nature and the cosmos. In the artist’s statement from his recent exhibit titled; “Eternity. Far Away. So Close.” he says, “This body of work continues to reflect upon existential themes: Who are we? What is our place in the grander scheme? Is there a knowable truth?” He goes on the say,” In my practice, along with figurative clarity, I am compelled by what cannot be seen, or can be seen only with technology.” We discuss his unique technique, the necessity of failure in order to grow and, “The privilege of Practicing.”

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Australian artist comes to Binghamton for First Friday and LUMA →

September 11, 2019

BINGHAMTON N.Y – Before LUMA gets fully underway tomorrow evening, the Gorgeous Washington Street Association’s First Friday Art Walk will take place in downtown Binghamton.

Anthony Brunelli Fine Arts is hosting a photorealist artist whose exhibition was inspired in part by the projection arts festival.

Giles Alexander is a Brit now living in Sydney, Australia who’s having his first solo show in the US.

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On Aug. 2, New Woodstock resident and fine artist Daniel K. Tennant was awarded the grand prize in the 2019 Adirondacks National Exhibition of American Watercolors (ANEAW). Tennant received the $2,500 Beechmont First & Gold Medallion prize for h…

On Aug. 2, New Woodstock resident and fine artist Daniel K. Tennant was awarded the grand prize in the 2019 Adirondacks National Exhibition of American Watercolors (ANEAW). Tennant received the $2,500 Beechmont First & Gold Medallion prize for his painting titled “A Hard Working Man.” (Submitted)

New Woodstock artist wins grand prize in national watercolor competition →

September 3, 2019

On Aug. 2, New Woodstock resident and fine artist Daniel K. Tennant was awarded the grand prize in the 2019 Adirondacks National Exhibition of American Watercolors (ANEAW) — an annual show held at VIEW arts center in Old Forge, NY.

The ANEAW is open to all artists working in water-based media, including transparent and opaque watercolors, acrylics, casein, egg tempera, gouache and ink.

On display at VIEW through Sept. 29, the exhibition includes around 90 paintings selected from 449 submissions.

The selected entries were painted by artists from 26 states, Washington D.C. and two Canadian provinces.

Tennant’s painting, titled “A Hard Working Man,” was awarded the $2,500 Beechmont First & Gold Medallion prize.

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An Interview With Nadine Robbins →

August 30, 2019

AN interview by Dario Rutigliano, curator and Melissa C. Hilborn, curator. arthabens.biennale@europe.com

1) Hello Nadine and welcome to ART Habens. Before starting to elaborate about your works we would like to invite our readers to visit www.nadinerobbinsart.com in order to get a wide idea about your artistic production and we would start this interview with a couple of questions about your background: while largely self-taught as a painter, you have a solid formal training in Graphic Design and after having earned your BFA from the State University of New York at New Paltz, you launched your successful career, that you later closed to devote yourself full time to painting.

How does your previous career influence your evolution as an artist? In particular, how does your cultural substratum due to  American culture direct the trajectory of your current artistic research?

Nadine Robbins: While shifting from a graphic design career to working as a full-time painter may seem like a significant change—certainly, it would have a generation or two ago, when there was a strict division between “commercial” and “fine” art—for me it was a natural, seamless evolution. My expertise in graphic design has been enormously helpful in my painting. 

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Essences of West Africa Infuse an Immersive Installation at the Brunelli Gallery →

July 1, 2019
Exhibition shot of Shrine : at the Intersection of Object and Spectacle on the July cover of Carousel Magazine

Exhibition shot of Shrine : at the Intersection of Object and Spectacle on the July cover of Carousel Magazine

NATAAL Magazine : Nubuke Foundation curator Bianca Ama Manu meets with emerging Ghanaian artist

June 28, 2019
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